Featuring a production market, workshops, discussions, and international collaborations, this year's festival shows that the event has evolved into a space that shapes films before they are made.
Al Majalla speaks to Saudi film director Samaher Mously on her debut short film that uses dark humour to explore the tyranny of beauty as perpetuated by the global cosmetics industry
A visionary film, and the state-of-the-art way in which it was shot, shows how modernised production is moving the country's movie-making up to global standards with a new genre: Arab action
'Norah' is the first Saudi film to be featured at the Cannes Film Festival. In an interview with Al Majalla, its director discusses the challenges he faced and how he feels about the landmark moment.
Filmmakers are being adventurous, and production quality is superb, but the tendency to over-indulge has lessened the impact of some Saudi films. Still, the future is bright.
Film director Kaouther Ben Hania's innovative and unconventional docudrama is part-real, part-fiction. The Tunisian family it depicts is real, as is their pain, and it is scooping up many awards.
As three Saudi films participate in the 2023 Toronto International Film Festival, Al Majalla talks to the directors about their ambitious productions, telling Saudi stories and global audiences.
The Saudi film now screening at the Toronto International Film Festival, tells the anxiety-ridden story of Fahad, a delivery driver struggling to make ends meet. Al Majalla reviews the film.
Venezuela's vice president is known for having a diplomatic style that is confrontational in tone but cautious in substance, and pursuing a strategy that marries public defiance with quiet pragmatism
Recently declassified meeting minutes between the two leaders show how Washington was well aware of Moscow's grievances over NATO expansion, but went ahead anyway
The Gabonese journalist discusses his debut novel, 'Le Testament de Charles', and how post-independence generations still bear the scars of colonialism