In this monthly round-up, Al Majalla surveys the latest releases from Arab and international cinema, from arthouse to blockbuster and everything in between
Featuring a production market, workshops, discussions, and international collaborations, this year's festival shows that the event has evolved into a space that shapes films before they are made.
Al Majalla speaks to Saudi film director Samaher Mously on her debut short film that uses dark humour to explore the tyranny of beauty as perpetuated by the global cosmetics industry
A visionary film, and the state-of-the-art way in which it was shot, shows how modernised production is moving the country's movie-making up to global standards with a new genre: Arab action
'Norah' is the first Saudi film to be featured at the Cannes Film Festival. In an interview with Al Majalla, its director discusses the challenges he faced and how he feels about the landmark moment.
Filmmakers are being adventurous, and production quality is superb, but the tendency to over-indulge has lessened the impact of some Saudi films. Still, the future is bright.
Film director Kaouther Ben Hania's innovative and unconventional docudrama is part-real, part-fiction. The Tunisian family it depicts is real, as is their pain, and it is scooping up many awards.
Al Majalla reveals the structure of Syria's nuclear programme 19 years after Israel bombed the Al-Kibar reactor, detailing the involvement of other states and the assassinations that followed
A critical mineral found on Japan's seabed has caught US attention, and the two are teaming up to see whether it can yield future benefits and reduce their dependence on China
Thousands of Muslim volunteers flocked to Afghanistan in 1979 to fight the Soviets in response to a rallying cry, aided by the largest covert operation in CIA history
The renowned American actress tells Al Majalla about her gnawing drive for justice at the Venice Film Festival, where her new film 'Echo Chamber' premiered