Featuring a production market, workshops, discussions, and international collaborations, this year's festival shows that the event has evolved into a space that shapes films before they are made.
Al Majalla speaks to Saudi film director Samaher Mously on her debut short film that uses dark humour to explore the tyranny of beauty as perpetuated by the global cosmetics industry
A visionary film, and the state-of-the-art way in which it was shot, shows how modernised production is moving the country's movie-making up to global standards with a new genre: Arab action
'Norah' is the first Saudi film to be featured at the Cannes Film Festival. In an interview with Al Majalla, its director discusses the challenges he faced and how he feels about the landmark moment.
Filmmakers are being adventurous, and production quality is superb, but the tendency to over-indulge has lessened the impact of some Saudi films. Still, the future is bright.
Film director Kaouther Ben Hania's innovative and unconventional docudrama is part-real, part-fiction. The Tunisian family it depicts is real, as is their pain, and it is scooping up many awards.
As three Saudi films participate in the 2023 Toronto International Film Festival, Al Majalla talks to the directors about their ambitious productions, telling Saudi stories and global audiences.
Recently published documents show a US no longer willing to finance an international system that doesn't reflect its strategic priorities and allows its adversaries a seat at the table
After 16 years, there is finally a political transition in Budapest. This is an annoyance in Moscow and Washington, a relief in Brussels, and a warning to Europe's populists.
Satellite technology from China and data analysis from Russia have helped Tehran be far more precise with its missiles and drones in its war against the US and Israel.