Featuring a production market, workshops, discussions, and international collaborations, this year's festival shows that the event has evolved into a space that shapes films before they are made.
Al Majalla speaks to Saudi film director Samaher Mously on her debut short film that uses dark humour to explore the tyranny of beauty as perpetuated by the global cosmetics industry
A visionary film, and the state-of-the-art way in which it was shot, shows how modernised production is moving the country's movie-making up to global standards with a new genre: Arab action
'Norah' is the first Saudi film to be featured at the Cannes Film Festival. In an interview with Al Majalla, its director discusses the challenges he faced and how he feels about the landmark moment.
Filmmakers are being adventurous, and production quality is superb, but the tendency to over-indulge has lessened the impact of some Saudi films. Still, the future is bright.
Film director Kaouther Ben Hania's innovative and unconventional docudrama is part-real, part-fiction. The Tunisian family it depicts is real, as is their pain, and it is scooping up many awards.
As three Saudi films participate in the 2023 Toronto International Film Festival, Al Majalla talks to the directors about their ambitious productions, telling Saudi stories and global audiences.
When states are attacked, authority gravitates towards institutions capable of mobilising resources, enforcing discipline, and coordinating a military response
Cairo and Tehran have been at loggerheads since 1979, but the Iranian threat has always acted as a check on Israeli ambitions. If Iran is completely defeated, Israel will reign supreme.
Even if it stays on the sidelines of the US-Iran war, the country is fragile. Unlike larger economies that can absorb shocks in global markets, it has little room to cushion the impact.