Al Majalla speaks to Saudi film director Samaher Mously on her debut short film that uses dark humour to explore the tyranny of beauty as perpetuated by the global cosmetics industry
A visionary film, and the state-of-the-art way in which it was shot, shows how modernised production is moving the country's movie-making up to global standards with a new genre: Arab action
'Norah' is the first Saudi film to be featured at the Cannes Film Festival. In an interview with Al Majalla, its director discusses the challenges he faced and how he feels about the landmark moment.
Filmmakers are being adventurous, and production quality is superb, but the tendency to over-indulge has lessened the impact of some Saudi films. Still, the future is bright.
Film director Kaouther Ben Hania's innovative and unconventional docudrama is part-real, part-fiction. The Tunisian family it depicts is real, as is their pain, and it is scooping up many awards.
As three Saudi films participate in the 2023 Toronto International Film Festival, Al Majalla talks to the directors about their ambitious productions, telling Saudi stories and global audiences.
The Saudi film now screening at the Toronto International Film Festival, tells the anxiety-ridden story of Fahad, a delivery driver struggling to make ends meet. Al Majalla reviews the film.
After his death, the Egyptian director's legacy was confined to the annals of history. Al Majalla explores the immense wealth of his dismissed contribution.
In a world where events unfold at lightning speed and political and social landscapes shift rapidly, Al Majalla has remained a steadfast beacon of reliable and credible journalism. For over four…
JOMANA RASHED AL-RASHID, Chief Executive Officer at SRMG
From titanium and lithium to natural gas, Ukraine has an abundance of supplies needed by a range of industries, which Russia wants to control, while the US sees an opportunity
In the final of a three-part series, Syria's late former Vice President Abdul Halim Khaddam reveals that Bashar al-Assad's brother Maher misled Rafic Hariri before his assassination.
Smell has always been the poor cousin of the senses, overawed and diminished by the others. Hearing loss or blindness get all our attention, anosmia less so. What do the philosophers think?