In this monthly round-up, Al Majalla surveys the latest releases from Arab and international cinema, from arthouse to blockbuster and everything in between
Featuring a production market, workshops, discussions, and international collaborations, this year's festival shows that the event has evolved into a space that shapes films before they are made.
Al Majalla speaks to Saudi film director Samaher Mously on her debut short film that uses dark humour to explore the tyranny of beauty as perpetuated by the global cosmetics industry
A visionary film, and the state-of-the-art way in which it was shot, shows how modernised production is moving the country's movie-making up to global standards with a new genre: Arab action
'Norah' is the first Saudi film to be featured at the Cannes Film Festival. In an interview with Al Majalla, its director discusses the challenges he faced and how he feels about the landmark moment.
Filmmakers are being adventurous, and production quality is superb, but the tendency to over-indulge has lessened the impact of some Saudi films. Still, the future is bright.
Film director Kaouther Ben Hania's innovative and unconventional docudrama is part-real, part-fiction. The Tunisian family it depicts is real, as is their pain, and it is scooping up many awards.
Shaibani held several calls with the Mossad chief days before the strike, explaining why the airport's runway was being rehabilitated and that it had no hostile intentions, but Israel bombed it anyway
Ambassador Asim Iftikhar Ahmad speaks to Al Majalla about Islamabad's diplomatic role in the talks between the US and Iran, its balancing act between Tehran and Riyadh and the Mecca Pact
From Apple's chips to Nvidia's data centres, Israeli tech has embedded itself in the global tech ecosystem. This comes with grave national security implications.
Balancing the competing interests of regional and global stakeholders is no easy task. Can the president keep Syria from becoming an arena for regional conflict?