In this monthly round-up, Al Majalla surveys the latest releases from Arab and international cinema, from arthouse to blockbuster and everything in between
Featuring a production market, workshops, discussions, and international collaborations, this year's festival shows that the event has evolved into a space that shapes films before they are made.
Al Majalla speaks to Saudi film director Samaher Mously on her debut short film that uses dark humour to explore the tyranny of beauty as perpetuated by the global cosmetics industry
A visionary film, and the state-of-the-art way in which it was shot, shows how modernised production is moving the country's movie-making up to global standards with a new genre: Arab action
'Norah' is the first Saudi film to be featured at the Cannes Film Festival. In an interview with Al Majalla, its director discusses the challenges he faced and how he feels about the landmark moment.
Filmmakers are being adventurous, and production quality is superb, but the tendency to over-indulge has lessened the impact of some Saudi films. Still, the future is bright.
Film director Kaouther Ben Hania's innovative and unconventional docudrama is part-real, part-fiction. The Tunisian family it depicts is real, as is their pain, and it is scooping up many awards.
In this week's cover story, Al Majalla examines the military balance of power on the ground, the networks through which the Houthis obtain weapons, and the foreign support they receive
Education reform is at the heart of the demonstrations shaking Paris and beyond, with thousands already arrested, but the government's ability to meet learners' demands is limited
As YouTube star Accurso's influence grew, she transitioned from educator to child advocate. But it only became 'controversial' when she spoke up for Palestinian kids
From Gaza to Egypt, Lebanon, Morocco, Jordan, Iraq, and Algeria, this year's Arab Oscar submissions explore stories of conflict, displacement, memory, and survival