Featuring a production market, workshops, discussions, and international collaborations, this year's festival shows that the event has evolved into a space that shapes films before they are made.
Al Majalla speaks to Saudi film director Samaher Mously on her debut short film that uses dark humour to explore the tyranny of beauty as perpetuated by the global cosmetics industry
A visionary film, and the state-of-the-art way in which it was shot, shows how modernised production is moving the country's movie-making up to global standards with a new genre: Arab action
'Norah' is the first Saudi film to be featured at the Cannes Film Festival. In an interview with Al Majalla, its director discusses the challenges he faced and how he feels about the landmark moment.
Filmmakers are being adventurous, and production quality is superb, but the tendency to over-indulge has lessened the impact of some Saudi films. Still, the future is bright.
Film director Kaouther Ben Hania's innovative and unconventional docudrama is part-real, part-fiction. The Tunisian family it depicts is real, as is their pain, and it is scooping up many awards.
As three Saudi films participate in the 2023 Toronto International Film Festival, Al Majalla talks to the directors about their ambitious productions, telling Saudi stories and global audiences.
Whether American military action triggers a rapid collapse of Iran's regime or gradually erodes it over time, all paths lead to one destination: the end of the Islamic Republic
Those who somehow managed to survive starvation, bombs and disease now face a punishing winter in 'shelters' as battered as Palestinian existence itself
If history is any indication, then yes. While much of modern-day America was acquired through conquest, large chunks of the country were also bought from reluctant sellers under pressure.
The economy is a mess and the politics are askew but the Lebanese are once again learning how to celebrate, these days to the tune of Badna Nrou, meaning 'We need to calm down'