In this monthly round-up, Al Majalla surveys the latest releases from Arab and international cinema, from arthouse to blockbuster and everything in between
Featuring a production market, workshops, discussions, and international collaborations, this year's festival shows that the event has evolved into a space that shapes films before they are made.
Al Majalla speaks to Saudi film director Samaher Mously on her debut short film that uses dark humour to explore the tyranny of beauty as perpetuated by the global cosmetics industry
A visionary film, and the state-of-the-art way in which it was shot, shows how modernised production is moving the country's movie-making up to global standards with a new genre: Arab action
'Norah' is the first Saudi film to be featured at the Cannes Film Festival. In an interview with Al Majalla, its director discusses the challenges he faced and how he feels about the landmark moment.
Filmmakers are being adventurous, and production quality is superb, but the tendency to over-indulge has lessened the impact of some Saudi films. Still, the future is bright.
Film director Kaouther Ben Hania's innovative and unconventional docudrama is part-real, part-fiction. The Tunisian family it depicts is real, as is their pain, and it is scooping up many awards.
Staying friends with the Turks, Chinese, Russians, Americans, Europeans, Iranians and Saudis simultaneously is a big ask for Islamabad's diplomats, but somehow they are managing it
Despite the war's unpopularity, Trump seems determined to press on until he can claim a decisive victory, whether by diplomacy, force, or a combination of the two
French novelist Philippe Jaenada's novel 'The Unknown Woman of Quai de Javel' wins big, while the Prix Renaudot goes to François-Henri Désérable for his novel about an unlikely wine expert