In this monthly round-up, Al Majalla surveys the latest releases from Arab and international cinema, from arthouse to blockbuster and everything in between
Featuring a production market, workshops, discussions, and international collaborations, this year's festival shows that the event has evolved into a space that shapes films before they are made.
Al Majalla speaks to Saudi film director Samaher Mously on her debut short film that uses dark humour to explore the tyranny of beauty as perpetuated by the global cosmetics industry
A visionary film, and the state-of-the-art way in which it was shot, shows how modernised production is moving the country's movie-making up to global standards with a new genre: Arab action
'Norah' is the first Saudi film to be featured at the Cannes Film Festival. In an interview with Al Majalla, its director discusses the challenges he faced and how he feels about the landmark moment.
Filmmakers are being adventurous, and production quality is superb, but the tendency to over-indulge has lessened the impact of some Saudi films. Still, the future is bright.
Film director Kaouther Ben Hania's innovative and unconventional docudrama is part-real, part-fiction. The Tunisian family it depicts is real, as is their pain, and it is scooping up many awards.
Our cover story this week explores the opportunities and risks accompanying Syria's shift from being a corridor of Iranian influence to a state intent on containing it
Democratic control of Congress will increase scrutiny of the war and its economic costs, but could also make the concessions needed for a lasting agreement with Tehran more difficult to deliver
Artificial intelligence can analyse facial features for clues to biological ageing and cancer survival, but further validation is needed before clinical use
Following an historic landslide, a new progressive wave is calling for establishment figures to step aside and make way for new blood who better represent the future direction of the party