In this monthly round-up, Al Majalla surveys the latest releases from Arab and international cinema, from arthouse to blockbuster and everything in between
Featuring a production market, workshops, discussions, and international collaborations, this year's festival shows that the event has evolved into a space that shapes films before they are made.
Al Majalla speaks to Saudi film director Samaher Mously on her debut short film that uses dark humour to explore the tyranny of beauty as perpetuated by the global cosmetics industry
A visionary film, and the state-of-the-art way in which it was shot, shows how modernised production is moving the country's movie-making up to global standards with a new genre: Arab action
'Norah' is the first Saudi film to be featured at the Cannes Film Festival. In an interview with Al Majalla, its director discusses the challenges he faced and how he feels about the landmark moment.
Filmmakers are being adventurous, and production quality is superb, but the tendency to over-indulge has lessened the impact of some Saudi films. Still, the future is bright.
Film director Kaouther Ben Hania's innovative and unconventional docudrama is part-real, part-fiction. The Tunisian family it depicts is real, as is their pain, and it is scooping up many awards.
The American CIA director's visit looks to be a desperate attempt by the Trump administration to avert a doomsday scenario in which NATO is pulled into a larger war with Russia
Al Majalla looks at the former army general's career, political positions, possible paths to victory, and what a change in leadership could mean for Israel and the region after three years of war
As social media transforms how people seek medical advice, figures such as Barbara O'Neill offer something conventional medicine rarely can: absolute certainty
The Iran war exposed the risks of being too closely tied to US military posture, which is why some Gulf states are repositioning themselves not merely as consumers of security but as architects of it