Al Majalla speaks to Saudi film director Samaher Mously on her debut short film that uses dark humour to explore the tyranny of beauty as perpetuated by the global cosmetics industry
A visionary film, and the state-of-the-art way in which it was shot, shows how modernised production is moving the country's movie-making up to global standards with a new genre: Arab action
'Norah' is the first Saudi film to be featured at the Cannes Film Festival. In an interview with Al Majalla, its director discusses the challenges he faced and how he feels about the landmark moment.
Filmmakers are being adventurous, and production quality is superb, but the tendency to over-indulge has lessened the impact of some Saudi films. Still, the future is bright.
Film director Kaouther Ben Hania's innovative and unconventional docudrama is part-real, part-fiction. The Tunisian family it depicts is real, as is their pain, and it is scooping up many awards.
As three Saudi films participate in the 2023 Toronto International Film Festival, Al Majalla talks to the directors about their ambitious productions, telling Saudi stories and global audiences.
The Saudi film now screening at the Toronto International Film Festival, tells the anxiety-ridden story of Fahad, a delivery driver struggling to make ends meet. Al Majalla reviews the film.
After his death, the Egyptian director's legacy was confined to the annals of history. Al Majalla explores the immense wealth of his dismissed contribution.
Several factors contributed to the Sudanese Armed Forces finally reclaiming the country's capital from the RSF paramilitaries who seized it two years ago at the outbreak of civil war.
The man many think could end Erdoğan's quarter-century reign was arrested just days before he was nominated as the CHP presidential candidate. Who is he, and why is he behind bars?
The passion and imagination of the Uruguayan writer remain timeless, not least over Gaza. Ten years since his passing, Al Majalla revisits his works and words.