Al Majalla speaks to Saudi film director Samaher Mously on her debut short film that uses dark humour to explore the tyranny of beauty as perpetuated by the global cosmetics industry
A visionary film, and the state-of-the-art way in which it was shot, shows how modernised production is moving the country's movie-making up to global standards with a new genre: Arab action
'Norah' is the first Saudi film to be featured at the Cannes Film Festival. In an interview with Al Majalla, its director discusses the challenges he faced and how he feels about the landmark moment.
Filmmakers are being adventurous, and production quality is superb, but the tendency to over-indulge has lessened the impact of some Saudi films. Still, the future is bright.
Film director Kaouther Ben Hania's innovative and unconventional docudrama is part-real, part-fiction. The Tunisian family it depicts is real, as is their pain, and it is scooping up many awards.
As three Saudi films participate in the 2023 Toronto International Film Festival, Al Majalla talks to the directors about their ambitious productions, telling Saudi stories and global audiences.
The Saudi film now screening at the Toronto International Film Festival, tells the anxiety-ridden story of Fahad, a delivery driver struggling to make ends meet. Al Majalla reviews the film.
After his death, the Egyptian director's legacy was confined to the annals of history. Al Majalla explores the immense wealth of his dismissed contribution.
The US-Israeli plan for a new Middle East requires a pliable Syria. To this end, a long list of tall demands has been handed to the new leadership in Damascus.
The popular mayor of Istanbul, who has repeatedly beaten President Erdoğan's party in elections, was just days from being confirmed as the 2028 presidential candidate when he was detained. What now?
'The Book of Disappearance' by Ibtisam Azem revisits 1948 and its lasting impact of displacement and occupation, presenting a Palestine of memory and a Palestine of today