For a filmmaker who has spent decades challenging norms, a film about traditional Japanese theatre seems like an odd choice. At the Venice Film Festival, he explains to Al Majalla why it is not.
In this monthly round-up, Al Majalla surveys the latest releases from Arab and international cinema, from arthouse to blockbuster and everything in between
As AI accelerates the production of formulaic entertainment and audiences grow accustomed to ever-shorter forms, slow cinema offers an alternative way of seeing
This year, the renowned film festival appears to be addressing a world where films are made and consumed differently, while maintaining its legacy as the world's foremost arena for art cinema
Chloé Zhao's Hamnet enters the awards season adorned with prestige, affirming its place among this year's most anointed films. Yet beneath the acclaim lies a curious emotional hollowness.
For those who look closely, there were recurring cultural themes over the past 12 months, whether in cinema, music, art, or literature. There were also common threats and shared opportunities.
Al Majalla examines this changed landscape—from Israel's domestic political scene to its external ambitions, where it occupies large swathes of new territory in the West Bank, Lebanon and Syria
The leaders of Egypt, Somalia, Sudan, and Eritrea met in Alamein on Sunday, which some interpret as a formation of a loose security alliance aimed at influencing the geopolitics of the Horn of Africa
From Gaza to Egypt, Lebanon, Morocco, Jordan, Iraq, and Algeria, this year's Arab Oscar submissions explore stories of conflict, displacement, memory, and survival