The Saudi film now screening at the Toronto International Film Festival, tells the anxiety-ridden story of Fahad, a delivery driver struggling to make ends meet. Al Majalla reviews the film.

The CEO of Telfaz11 talks to Al Majalla about how his media studio revolutionised content creation in Saudi Arabia. Two of its films are currently screening at the Toronto International Film Festival.

A simple snapshot of a small grocery shop in Amsterdam reveals the power of human geography and how it can shape society. Without embracing diversity, European cities cannot re-invent themselves.

How to Become a Cult Leader is not really an instruction manual. It is a look at how some of the most disturbing figures of the 20th century cast their spell over people, seeking total control an

The Sursock family found wealth in war and marriage, but later generations squandered it. Yet one thing endures: the Sursock Museum, now re-open three years after it was hit by the Beirut port blast.

Through the story of a Palestinian couple who migrated to Saudi Arabia in search of better opportunities, Al Majalla explores the evolution of the Palestinian family.

With hit Saudi film streaming in our homes soon, we revisit "Sattar", a comedy about a disillusioned wrestler, to hear what Saudi critics have to say about its commercial success and artistic merit.

Assimilation is the key to staying afloat as you "wait" indefinitely, pretending everything is exactly as it should be – even as your soul erodes and the world around you rots.

The recent launch of the Asharq Documentary channel fills an important gap in Arab media. Al Majalla sheds light on the latest addition to SRMG's portfolio of leading regional media brands.

About 2,000 artefacts are believed to have gone missing from the British Museum in London, making it the latest national institution to suffer a major blow to its prestige.