Annemarie Jacir crafts a human drama that strikes unerringly at its political themes, showing how today's events are directly linked to the events of 90 years ago
By showcasing the narcissism that afflicts today's societies and by bending most artistic rules, Richard Gadd's seven-part Netflix series emerges as a table-topper.
Bombing archaeological and cultural heritage sites shows the Israeli army's disregard for humanity and ranks it alongside the Taliban, al-Qaeda, and IS for wanton historical vandalism.
Recently re-appointed president of the Institut du Monde Arabe, Jack Lang speaks to Al Majalla on his attachment to the Middle East, regional changes, and teaching Arabic in France.
Al Majalla speaks to Phillips about her latest novel 'Night Watch' which follows a mother and daughter navigating a divided America after the Civil War in the 1860s. It all sounds eerily familiar.
'Norah' is the first Saudi film to be featured at the Cannes Film Festival. In an interview with Al Majalla, its director discusses the challenges he faced and how he feels about the landmark moment.
The first ever Saudi opera singer tells Al Majalla about working with one of Britain's finest operatic performers on an ancient pre-Islamic tale sung in Arabic and performed in Riyadh.
Is the Red Sea moving toward an ordered space governed by capable states or toward a grey zone edging toward disorder? Read our February cover story to find out.
Israel wants Palestinians to leave the Strip as part of its 'depopulation and resettlement' strategy, but Egypt is fighting to give them the option to return to their homeland
Annemarie Jacir crafts a human drama that strikes unerringly at its political themes, showing how today's events are directly linked to the events of 90 years ago