Speaking to Al Majalla, Saudi artist Ghada Al-Hassan describes art as a living entity: "Its birth alone does not guarantee its survival. It needs continuous care to grow and thrive."
The Eames Fine Art Gallery in London is exhibiting works of the late Victor Pasmore, "a poet" who utilised a meticulously precise visual language. We explore the essence of his art.
Leading Emirati visual artist Najat Makki discusses her artistic journey, why she does not limit herself to one school or medium, and the "radically different" times we're in.
The medieval Church produced a superstar. It is no surprise, therefore, there were already some 20,000 images of Saint Francis in existence within 100 years of his death
The picture in Burlington House is beautiful for all the reasons The Guardian's Adrian Searle describes. She has the kind of serene self-possession that could drive men mad.
If his treatment of women or his cultural appropriations mean that we can't bear the sight of him, that implies something far more fatal to his continuing hold on our esteem: obsolescence
In the Kremlin's likely view, the cost of Prigozhin's demise is negligible when compared to the goal of sending a clear message to those who think they can come at the Tsar and live to tell the tale
The invitation to Saudi Arabia, United Arab Emirates, Egypt, Ethiopia, Argentina and Iran symbolises the formation of a new world order amongst developing countries
Two months since Ukraine launched its offensive, the pendulum of victory continues to swing back and forth. It is not a war of attrition but an evolving Ukrainian counter-offensive.
Al Majalla caught up with the award-winning author who attributes the decline in literary standards to publishers and readers rather than the authors themselves
At the turn of the 20th century, New York's Syrian Quarter was a vibrant residential, cultural, and commercial hub for immigrants from Ottoman Syria. In 1945, most of it was rendered obsolete.