The Blue House Gallery in Sarouja, Damascus, recently hosted 32 paintings by Syrian artist Hamsah Shalhoub in her first solo exhibition.
A graduate of the Faculty of Arts with a focus on Painting and Oil Painting, Shalhoub has taken a year to prepare to present her work independently for the first time.
She has focused on themes of migration and alienation, exploring these through a distinct conceptual framework.
Her exhibition features diverse titles and sub-themes of memory and identity, and imagines immigrant characters portrayed in a new light.
Symbols of reality
The paintings also include depictions of Syrian social gatherings and unique reflections on the experience of alienation—highlighting what is lost through displacement and the absence of social and emotional support.
Hamsah Shalhoub’s work begins with conceptual art, integrating it with symbolic elements that reflect the realities of Syrian life, particularly for young people navigating travel and exile.
She employs symbols such as bags and ships, along with realistic characters adorned with aesthetic and visual elements, to offer an impressionistic portrayal of their experiences.
Her use of colour creates gradual transitions that enhance the viewer’s understanding and reception of the work.