Saudi Arabia ramps up investment in culture

Whether in cinema or heritage, there are dozens of big cultural projects that investors are interested in, as the sector increasingly contributes towards growth and development.

A deal being signed at the recently held  Cultural Investment Conference in Riyadh, Saudi Arabia, on September 30, 2025.
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A deal being signed at the recently held Cultural Investment Conference in Riyadh, Saudi Arabia, on September 30, 2025.

Saudi Arabia ramps up investment in culture

Over the past seven years, Saudi Arabia has transformed its approach to policy across all sectors, from trade and tourism to culture and sports, with a huge emphasis now being placed on statistical analysis, data, indicators, and measurement. For those hoping to negotiate with Saudi officials, it is now vital to reference numbers-based tools for evaluating the feasibility of any investment before its implementation. This applies to investment in culture as much as it does to other sectors.

The cultural sector plays a pivotal role in both Saudi society and its economy. Foreign investors often seek to learn more about the country's cultural identity, including the diversity of its regions, which provides them with a better understanding of local opportunities and needs.

Over the past seven years, there has been a huge $22bn investment in Saudi culture, not least in AlUla, with its historical landmarks and archaeological sites showcasing the civilisations that once inhabited the Arabian Peninsula. The Royal Commission is developing and preparing AlUla, creating around 7,700 jobs, with more than 740,000 tourists having visited since 2018.

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Tourists during a visit to the ancient archaeological site of Hegra in AlUla, Saudi Arabia, on Sunday, Jan. 22, 2023.

Funding culture

Since the launch of Vision 2030, specialised bodies have been established to allocate funds for the development of the culture sector. Previously, allocation was determined by the initiatives of individuals with specific interests. Such ad hoc investments occasionally elicited a brief flourish but failed to ensure long-term sustainability. Therefore, the Ministry of Culture adopted a strategy to sustain the efforts of non-profit organisations—whether through direct or indirect support—in addition to contracting relevant experts.

In recent years, Saudi Arabia has given each year a name inspired by an element of its cultural heritage. Last year, for instance, was the Year of the Camel, with 2025 dedicated to handicrafts, with a host of events and competitions related to that theme. Such initiatives can lead to the establishment of groups and opportunities in trade.

In Riyadh at the end of September, the Cultural Investment Conference opened the door to a new era of both local and foreign investment in culture. A new Riyadh University of the Arts would be established, announced Culture Minister Prince Badr bin Abdullah bin Farhan, noting how the sector’s contribution to GDP (gross domestic product) had risen to 1.6%. The aim is for culture to contribute 3% by 2030.

Over the past seven years, $22bn has been invested in Saudi culture, not least in AlUla, with its historical landmarks and archaeological sites

Investors' entrance

Investment Minister Khalid Al-Falih, a former chairman of Saudi Aramco, said 1,700 foreign investors had sunk around $500mn into the country's cultural sector. "We have 40 investment opportunities listed in the sector, with returns of up to 20%," he said. Planning and Economy Minister Faisal Al-Ibrahim added that "every dollar invested in cultural sectors generates a return of up to $2.5 and supports the economy by creating thousands of jobs".

Al-Ibrahim said the cultural sector currently employs around 235,000 people, with tens of thousands of students being trained and supported through funding and capacity-building programmes. "Spending on creative industries globally is estimated at around $4.3tn, equivalent to four times the size of the national economy, illustrating the vast opportunities that still lie ahead of us in developing this sector," he said, adding: "Investment in culture is no less vital than investment in other sectors."

The conclusion of the Cultural Investment Conference coincided with the opening of the ten-day Riyadh International Book Fair, the country's largest cultural event, which features 2,000 publishing houses. Among those who think the Saudi government has supported writers is Fahd Al-Oudah, a director of Kalimat Group, a marketing and digital agency with operations in the country. The Literature, Publishing and Translation Commission has created "numerous opportunities" to support Saudi literature, said Al-Oudah.

"This enables its intellectual reach while ensuring sustainable financial returns. Its support has extended to printing houses to establish a promising industry that facilitates financial and regulatory organisation; from developing publishing mechanisms to combating the parallel market, thus making the sector more attractive to investors." He added that "culture is one of the pillars of tourism and other sectors," so it has "received broad support, beginning with Cultural Fund programmes and culminating in regulations that guarantee rights and strengthen protection mechanisms"

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Saudi Minister of Economy and Planning Faisal Al-Ibrahim speaks at the Cultural Investment Conference, alongside Minister of Investment Khalid Al-Falih, in Riyadh, September 30, 2025.

Spotting opportunities

At the conference, 89 agreements worth $1.3bn were signed. Among the highlights was the establishment of Co-Lending, the first joint financing product of its kind, launched in cooperation with financial institutions and backed by a $270mn budget. The Cultural Development Fund also announced the financing of a deal to establish a dedicated fund for a portfolio of cultural assets.

A second $100mn fund was announced to support the Saudi cinema sector, managed by SF Capital and financed by the Cultural Fund as the main investor, working with some of the world's top film production companies. This now joins the Riviera Content Fund (formerly the Saudi Film Fund), launched last year with the same budget. Another fund worth $40mn was also launched to invest in various cultural projects.

Hassan Taher, director of the Nakhl (Palm Tree) Museum in Medina and a Saudi member of the International Council of Museums, told Al Majalla that museums are "among the most significant components of the cultural sector that Vision 2030 seeks to strengthen to increase their contribution to GDP, create job opportunities, diversify income sources, and attract more investment through cultural tourism".

Taher added that the Ministry of Culture has announced several projects, some of which have already been inaugurated and others are currently under implementation, including the National Museum and the Al-Masmak Palace Museum, the Black Gold Museum in Riyadh (dedicated to the history of oil), and the Saudi Museum of Contemporary Art in the JAX District.

"The most promising culture-related sectors still ripe for investment are advanced infrastructure, technical equipment, accompanying and mobile visitor services, local and regional cultural heritage, and cultural tourism," he added.

The role of the Saudi cultural sector, encompassing cinema, heritage, and music, continues to grow, contributing to the country's broader developmental goals through measured, monitored, and evaluated investment. In the drive to move beyond oil, culture is fast becoming a vital pillar of growth.

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