Al Majalla's Book Watch

We review the latest releases from Arab publishing houses

Al Majalla's Book Watch

The Arab world has a vibrant and rich literary scene. In this fortnightly feature, Al Majalla picks out some choice titles in our round-up of the latest Arabic books.


The Benefactor: Muhammad Ali Pasha and His World

By: Khaled Fahmy

Translated and edited by: Mahammad Hoogla-Kalfat

Publisher: Dar El Shorouk, Egypt

In The Benefactor, historian Khaled Fahmy revisits one of the most prominent and controversial figures in modern Egyptian history: Muhammad Ali Pasha, the former Governor of Egypt for the Ottoman Empire, who ruled for more than four decades across the early 19th century.

This book reassesses his character, his project, and the world in which he operated. Fahmy said he aimed to “recognise Muhammad Ali’s unique standing and value his many achievements without slipping into uncritical glorification”. He traces his subject’s life from his arrival in Egypt in the early 19th century, when he had neither status nor wealth, to his death around half a century later, by which time he had established dynastic rule that lasted almost a full century.

Along the way, it charts his rise to power, his political and military struggles, and his projects in agriculture, industry, the army, and administration, as well as, naturally, his relationship with the Ottoman state and the European powers. Muhammad Ali, who was born in Ottoman Albania, said of himself: “It is enough for me that future generations should know that everything Muhammad Ali achieved he owed not to the advantages of birth, not to favouritism and not to anyone but himself.”

Of his ambition to rule Egypt, he said: “My history will not begin until the time comes when, freed from every constraint, I can awaken Egypt, which I love as I love my own country, from the slumber of the ages and prepare it for a new existence.” In a letter to the Grand Vizier about the notorious Citadel Massacre, he showed another, more ruthless side to his ambition.

“When my limited mind became convinced that these wretches had chosen destruction, and that they would neither be drawn into our feigned service nor fall into the trap we had laid, I made use of the procession marking the departure of my son Tusun Ahmad Pasha for Birkat al-Hajj as a means,” he wrote.

“As necessity required, I brought in all the Mamluk emirs ostensibly in our service, 24 in number, together with all the kashifs and their aides, as well as the followers of those fugitives who eventually came. They were all brought into the Citadel, after which its gates were closed. All the prominent wretches were killed, without a single one being spared, and were sent to the abode of death and nothingness.”

The conventional image of Muhammad Ali is the ‘founder of modern Egypt,’ but the author searches for the essence of his character by asking whether he primarily sought to establish a modern state, or secure his own rule and that of his family. In the end, Fahmy concludes that the latter was closer to the truth; that Muhammad Ali did not come to Egypt intending to found a state in the sense later attributed to him. Rather, securing his own rule was the driving force behind his project.

Fahmy constructs this biography from a large body of Egyptian and foreign documents and sources, including Ottoman, British, French, and Russian archives. He approaches the documents with caution, since they reflect the perspectives of their producers. The book nevertheless offers a fresh reading of the period in which the modern Egyptian state was founded, combining personal biography with political and social history. Readers end up reflecting on the relationship between state-building, a ruler’s ambitions, and the price society pays for a political project.

Just Short of Survival

By: Zeina Hamwi

Publisher: All Prints Distributors and Publishers, Lebanon

In this short-story collection, Syrian writer Zeina Hamwi places the question of survival at the heart of a human experience burdened by war, loss, and exile. The 17 stories begin in exhausted homelands, homes, shelters, and tents, before moving to lands of migration and exile. Along this bitter journey, Hamwi captures faces, experiences, and emotions that often remain outside the dominant narratives of war.

The author looks at war through the lasting effects it leaves on people and society, rather than treating it as an event that ends when the fighting stops. As the title suggests, and contrary to what the word might initially imply, ‘survival’ is not simply a matter of staying alive or escaping death, detention, injury, and loss. A survivor may carry the war with them after leaving danger behind, living a life torn by memory, exhaustion, brokenness, fear, and lost hope.

The stories feature those who stand on the threshold of this deferred survival. Some have left places of pain for migration or exile but discovered that pain does not stop at the border and may even intensify after departure. Others remain inside the country, confronting the consequences of war in everyday life. In both cases, war remains present in memory, relationships, and perceptions of the future.

Hamwi places the question of survival at the heart of a human experience burdened by war, loss, and exile

Psychological repercussions emerge in denial, insomnia, and depression, while social effects appear in displacement, poverty, and fragmentation. Relationships change under the weight of fear, loss, and a diminished sense of personal worth. The collection's characters and experiences may not appear in the dominant narratives of war; survivors continue to bear the mental scars. Their wounds are simply not visible.

Through them, Hamwi explores the Syrian experience, asking: "Is it enough that we are not counted among the dead, the missing, the injured, and the detained for us to be survivors?" The stories move between memory and the daily realities of exile, between moments of destruction and calm. Everyday events become saturated with the effects of war, so that ordinary details carry layered traces of it, while the past remains closely bound to the characters' lives.

Just Short of Survival is a book about people whose lives war continually reshapes. It is a collection about loss, uprooting, and memory, and about the attempt to recover the self after an experience that shatters certainties. "Is life after war enough to mean that a person has truly survived?" Hamwi asks. "Is our survival not a happy illusion that soon reveals a difficult life and souls raw with exhaustion, pain, brokenness, and disappointment? Can life close itself off from survival forever?"

The Kiss and its History

By: Christopher Nyrop

Translated by: Moataz Harami

Publisher: Dar Al Hiwar for Publishing and Distribution, Syria

What can a kiss tell us about human history? The question may seem more intimate than historical, yet in Christopher Nyrop's hands it is an exploration of customs, emotions, relationships, and symbols that have accompanied humanity through the ages, in a book that combines linguistic research, cultural history, anthropology, and literature to trace one of the most common human gestures.

"What is a kiss?" Nyrop begins by asking, before opening numerous avenues into its meanings and functions. He shows how a kiss differs in meaning and function depending on context, culture, and the relationship between those involved. He goes on to examine the kiss of love, affection, peace, respect, and friendship, alongside other kinds of kisses, before turning to the origins of kissing itself. In this, he cites literature, poetry, proverbs, folk tales, historical documents, social practices, and laws.

His study reveals that, at different points in history, the kiss has been far more than a means of expressing emotion; it has been associated with greeting, reconciliation, respect, loyalty, kinship, friendship, and has formed part of rituals, contracts, and social relationships. Nyrop is particularly interested in how the meaning of the kiss has changed across time and place. What may carry an emotional or intimate meaning in one context may signify respect or peace in another. In the Roman era, in some customs, kissing was linked to betrothal, marriage, and gifts.

In Nyrop's book, the kiss moves from a gesture of affection and tenderness between two people to a broader expression of a people's culture. In doing so, it reveals something about societies and the ways people have expressed love, affection, peace, and respect. One of humanity's oldest languages needs no words.

On the Stage of Life: A Theatrical Memoir

By: Rafic Ali Ahmad

Publisher: Naufal, Hachette Antoine, Lebanon

This memoir from Lebanese theatre artist Rafic Ali Ahmad is written from the world of the stage, where he has spent four decades. As he revisits personal and professional milestones, he sheds light on the history and evolution of Lebanese theatre and of Lebanon itself.

The story begins in southern Lebanon, in the rural village of Yohmor al Chaqif, where Ahmad grew up. This rural environment helped shape him as an artist. From there, he moved to Beirut, dreaming of studying theatre at the Lebanese University, where he embarked on a long journey through acting, writing, and directing. Captivated by the stories he heard of a life he knew, he would then aim to embody them on stage.

These stories were often rooted in the questions Lebanese theatre has long grappled with. In revisiting his own experience, Ahmad recalls figures, icons, and theatrical schools that helped shape the Lebanese and wider Arab theatre scenes, yet the hakawati (storyteller) occupies a prominent place.

Rafic Ali Ahmad's name is closely associated with solo theatre and a performance style that blends actor and narrator, turning the stage into a space where a single voice can carry many characters, stories, and concerns. In this memoir, he sheds light on what happens behind the scenes, how theatre is made, and the relationship between personal experience and the creative act. He shows how an individual story can speak to the concerns of an entire society.

The artist's life story is inseparable from that of his country. In Ahmad's experience, theatre is not only spectacle; it is also a means of confronting reality, recording its transformations, and providing a space in which to express societal concerns. The book therefore interweaves episodes from his life with moments from the theatre, Lebanon, and the Arab world, making the journey part of a broader cultural and social trajectory.

In the end, On the Stage of Life is a book about an artist who chose theatre as his path and about a stage that has always remained closely bound to life. Through it, Ahmad offers a personal and artistic testimony to a long period in the history of Lebanese theatre, and to art's capacity to preserve memory and transform lived experience into a story that continues without interruption.

Mohammed Berrada: Writing Against Erasure and Forgetting

By: Idriss El Khadraoui and Mahmoud al-Rahbi

Publisher: Editions Agora, Morocco

This selection of testimonies and studies sheds light on Mohammed Berrada, a Moroccan novelist who helped shape modern literary criticism and writing in his country and beyond. A collective work, it brings together a range of voices reflecting on Berrada as a critic, novelist, and translator, and on his varied engagement with literary criticism, creative writing, and questions of culture and modernity.

The title points to a central theme in Berrada's work: writing as a form of resistance to erasure and forgetting. For him, writing is bound up with memory, history, and social change. It is an attempt to recover what may be lost, and to keep human and cultural experience within the realm of remembrance and reflection. Berrada's work thus becomes an entry point into broader questions about the function of literature and criticism, and the writer's role.

The book combines testimonies and studies, giving it a dual character. The testimonies bring the reader closer to Berrada as a person and writer, recalling aspects of his life, cultural relationships, and experience. The critical studies, meanwhile, examine his works and contributions to literature, criticism, and novel writing. Two paths converge in Berrada's career: that of the critic concerned with modern literature and its transformations, and that of the novelist experimenting with new forms of writing and exploring memory, the self, and society.

He is associated with the renewal of the Moroccan and Arab novel, and with an openness to modern critical methods and ideas. His work as a translator has also given Arab culture several concepts and experiences from elsewhere. Through a multiplicity of voices, this book constructs a complex portrait of Mohammed Berrada, a critic, novelist, and intellectual engaged with the questions of his age.

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