If there is one defining feature of Israel’s genocidal war on Gaza, it is the staggering number of children killed on a daily basis. According to the United Nations, children account for 44% of the total civilian death toll. Accepting the current figures—widely believed to be gross underestimates due to those still trapped beneath the rubble and the limitations of wartime data collection—no fewer than 30,000 children have been killed to date.
This is a horrifying figure by any standard, especially when compared with previous wars globally. To put things in perspective, the war in Ukraine has reportedly resulted in the deaths of around 650 children since it began—a comparison that lays bare the scale of this slaughter and underscores why it is increasingly difficult for Israel to deflect accusations of genocide in Gaza.
24-minute standing ovation
The unprecedented global reaction to Tunisian director Kaouther Ben Hania’s documentary The Voice of Hind Rajab, which premiered at the Venice Film Festival, reflects the world’s disgust at this crime. The audience applauded for 24 minutes following the screening, among them some of the most prominent figures in the film industry.
Whether the ovation can be attributed to the film’s artistic merit or the gravity of the story it conveys, the very presentation of Hind’s story was enough to evoke this unprecedented response.
Israel's cold-blooded murder of the five-year-old girl wasn't something Israel could easily dismiss as collateral damage—a tired excuse they often offer as a justification. This was a deliberate and cold-blooded killing—a brutal act the world watched in real time.
The audience in Venice was likely watching a cinematic reenactment of an unforgettable crime that had burrowed deep into the memories of people ever since it was committed. Their reaction was not just a symbolic gesture of justice for the victim but a heartfelt cry of real anguish and a protest against Israel's ongoing genocide, which the world has yet to stop.