Mizan al-I'tidal fi Naqd al-Rijal (Moderation in Critiquing Men) by Imam Shams al-Din al-Dhahabi is considered one of the most important works in criticism and praise.
It offers an analysis of the narrators of the hadith, which are documented sayings and day-to-day practices of the Prophet Muhammad, which act as a source of guidance for Muslims outside of the Quran.
A section at the end titled A Chapter on Unknown Women features this thought-provoking statement: "I do not know of any woman who was accused or abandoned."
Al-Dhahabi means that, among the narrators of the prophetic hadiths, he does not know of any female narrator who was accused of fabricating sayings, nor was any woman shunned due to critical flaws in her narration.
The irony here is that this statement by Al-Dhahabi comes at the end of his extensive book, the main title of which is Critiquing Men. In it, he reveals who among these male narrators was accused of making up hadiths or was considered weak.
He clarifies that even if women are relatively “unknown” or poorly documented in the convention of hadith, they are generally understood to be trustworthy and are not commonly charged with perpetuating falsehoods.
Broader context
Here, the term "unknown" refers to a narrator whose name has been mentioned by only one author, or whose existence has not been proven. (It’s worth noting that there are varying criteria among scholars through which they evaluate “unknown” narrators, and this is typically done on a case-by-case basis.)
But let’s return momentarily to Al-Dhahabi's statement about "unknown women".
What happens when we apply it to its broader cultural and Islamic history? We quickly find that countless "unknown women" have played a significant role in spreading knowledge in the Arab world – religious, literary, linguistic, or even experimental.