Why Peruvian Nobel laureate Mario Vargas Llosa is interested in thinking, not trending

In a bi-monthly article in Asharq Al-Awsat, Peru’s great man of letters sheds light on the human condition with carefully chosen words, which avoid the noise on social media.

Peruvian writer and Nobel literature prize winner Mario Vargas Llosa poses for a photograph during a ceremony of his induction into the Academie Francaise (French Academy), in Paris, February 9, 2023.
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Peruvian writer and Nobel literature prize winner Mario Vargas Llosa poses for a photograph during a ceremony of his induction into the Academie Francaise (French Academy), in Paris, February 9, 2023.

Why Peruvian Nobel laureate Mario Vargas Llosa is interested in thinking, not trending

For almost a year, the world-renowned Peruvian writer Mario Vargas Llosa has been writing for the Asharq Al-Awsat newspaper, covering cultural affairs and themes in intellectual life, without ignoring urgent political issues, including the war in Ukraine.

The Nobel literature laureate’s column blends his knowledge and life experience with his narrative skills as a writer, honed since his debut novel "The City and the Dogs", and also touches upon names that have influenced human culture and the world of books.

Llosa, who is almost 90 years old, often reviews his own reading and records his thoughts and observations. Throughout, he blends the personal with the general, tackling complex issues in a straightforward fashion.

In this space allocated to the great writer to reach the Arab reader, Llosa’s personality shines through. He has long been writing about life in general and is now here bringing his visions and perceptions into Arabic, with a characteristic clarity of mind and fluidity of language.

Major influences: Nietzsche, Sartre and Flaubert

In some of his articles, Llosa goes back to the biographies of his forebears, the writers and philosophers who have shaped his literary experience.

He talks in one article about an encounter in the 1970s with an old bookseller, when he used to buy from him, Les Temps Modernes magazine, which Jean-Paul Sartre published.

Llosa writes: “When I reminded him of those distant years and Sartre, he surprisingly replied: ‘Sartre! Nobody reads his works today.’”.

Llosa says he finds it “difficult to accept the old bookseller’s theory that no one reads Sartre these days. It’s impossible. He is one of the great thinkers of France, as evidenced by his novels and research, in which he was unique and went beyond the usual intellectual and literary traditions.”

In another article, Llosa describes the details of his visit to the museum of the German philosopher Nietzsche, set up in Nietzsche’s beloved part of the Swiss Alps, the Sils Maria region.

He “was amazed by its pure air, the mysteries hidden in its soaring mountains, the murmur of its waterfalls, the stillness of its lakes, and the squirrels and wild cats that wandered there.”

It was here that Nietzsche wrote his most important books, such as "Thus Spoke Zarathustra", "Beyond Good" and "Evil and The Decline of Idols". He used to stay there in a house that has now been converted into a museum and houses the institution that bears the name of the philosopher, which deserves a careful visit, according to Llosa.

Llosa tells his readers that he learned the technique of writing a novel from Flaubert: “A few hours after my arrival in Paris, one day in the last century, I bought a copy of "Madame Bovary". After spending the whole night reading it, I realised at dawn what kind of writer I wanted to be and that thanks to Flaubert I began to see all the secrets of the novel’s art”.

"A few hours after my arrival in Paris, I bought a copy of Madame Bovary. After spending the whole night reading it, I realised at dawn what kind of writer I wanted to be.

Peruvian novelist, Mario Vargas Llosa

Llosa's praise for this novel is lavish: "Flaubert was born more than 200 years ago and his way of writing this novel is still alive and current. I think he will stay young and revived for the next two hundred years.' 

Llosa's list of influences also includes American novelist William Faulkner, author of "The Sound and the Violence", "Light in August", and other works. But Llosa favours his novel, "The Bear", a novel he keeps reading because, in his opinion, it is "one of the most beautiful novels by Faulkner."

Tilting at literary windmills, at least at first

Llosa also covers the most outstanding classical work in the Spanish language, Cervantes' Don Quixote. Here he reveals that his first attempt at reading it failed: "I was still at school, and had problems with long sentences and old phrases, the meaning of which I had to look up in dictionaries."

"Years later I was able to read it cover to cover, enjoying every sentence and every page because everything in this book is amazing."

He also goes even further back, talking about Socrates and what the Greek intellectual left behind after being executed by poison. Llosa wonders what kind of example Socrates wanted to set, and he answers: "It is that sometimes death is more precious than life.'"

Llosa says Socrates made his death an example of respect for the law, despite the fact that he did not think it was right, because he believed that the world, or Athens at least, needed institutions that citizens respect.

He believed Athens needed a system to regulate and organise the affairs of people even when doing so goes against their personal interests because "only in this way can civilisation triumph over barbarism."

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Peruvian writer and Nobel literature prize winner Mario Vargas Llosa with writer and historian Pascal Ory (C) and French writer Daniel Rondeau (R) ahead of his induction into the Academie Francaise in Paris, February 9, 2023.

 

Llosa opines that message Socrates intended to leave behind after being executed by poison was that sometimes death is more precious than life.

Contemporary influences 

Llosa also pays tribute to contemporary names, expressing his admiration for David Toscana's Mexican novel "The Weight of Living on Earth", the pages of which 'never cease to amaze us with the human ability to search for the secret of happiness despite life's injustices.'

He also talks about the Greek writer Theodore Kalifatidis and his book "Another Life", which he wrote in his native language after years of living in Sweden and writing in Swedish. Here Llosa focuses on the story of an almost 80-year-old writer who rediscovers the language of his childhood, forgotten and replaced by the language of an adopted country.

Llosa offers a eulogy in an article to the Spanish novelist Javier Marías, noting that Marías was so shy that he managed to die just days after Queen Elizabeth II of England, so that his passing went largely unnoticed.

Llosa also defends Salman Rushdie and condemns the attack he endured in New York. However, regarding Rusdie's controversial "The Satanic Verses", he says "I didn't like the many topics he touches on superficially." In his view, "Midnight's Children" is one of Rushdie's best works.

A place for politics

Although Llosa's articles are mainly about literature and culture and prominent figures in those worlds, he reserves a space for politics.

On the war in Ukraine, he has vocally sided with Kyiv against Russian President Vladimir Putin, who is "obsessed with rebuilding the empire".

In another article he describes the lines of immigrants from Latin American countries at the US border as "humiliating queues", without holding Washington responsible, writing: "No country can open its borders without controls to immigrants, regardless of its size and the availability of jobs."

Llosa suggests alternative solutions, such as having the citizens of these countries elect governments that serve their interests so that they don't have to emigrate.

In another article he reviews the book "Leadership" by the veteran American politician Henry Kissinger, expressing admiration for his ability to write a book "of such a high level of brilliance" at the age of 100.

Read more: Kissinger at 100: A legacy still relevant to modern politics

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President of Peru, Dina Boluarte (R) presents the great necklace of the Order of El Sol to Peruvian writer and Nobel literature prize winner Mario Vargas Llosa during a ceremony at the Government Palace in Lima on March 8, 2023.

Thinking, not trending

Despite the cognitive and aesthetic value of what Llosa writes and his prestigious cultural credentials, his column in Asharq Al-Awsat has not set new trends. The popularity and influence of this author of some 70 books, including "The Notebooks of Don Rigoberto" defies the short term.

Through his journalism, Llosa has illuminated aspects of the modern world, through his deep understanding of the human condition.

He does not try to stir controversy for the sake of attention. He is already famous. He has been more interested in shedding light than making noise, via his own recollections and ideas and the meaning they have in the new contexts.

Llosa does not try to stir controversy for the sake of attention. He is already famous. He has been more interested in shedding light than making noise, via his own recollections and ideas and the meaning they have in the new contexts.

The author of "In Praise of the Stepmother" knows that what he says about the essence of thought and knowledge will reach the attentive reader. In that sense, the newspaper and his novels have the same aims.

Llosa's articles are a homage to serious journalism, which defies banality and is dying in the face of the dominance of the much more shrill brand of discourse seen on social media.

These networks are full of "legions of fools", as the Italian writer Umberto Eco describes them, and so much naïve and superficial content that it is in danger of distorting the wider media and cultural scene, powered by millions of followers and the "like" button.

Llosa found a new home away from this noise in one of the ever-narrowing spaces that still offer depth and sobriety. Alongside thoughtful columns from big-name writers,  Asharq Al-Awsat also features articles, investigations, and a sobre forum for ideas.

A long time in Arabic

Llosa's relationship with the Arab reader stands out because, unlike most writers, he had a significant presence in the Arab world long before receiving the Nobel Prize in Literature, in 2010. His works found their way into the Arabic language long before his global fame.

Much of the credit for this goes to the late Palestinian translator Salih Almani, who brought many of the Spanish-language writings from the Latin American continent, and Llosa's novels, into Arabic.

Almani has translated several of Llosa's novels such as: "The Feast of the Goatto", "The Story of Maita", "Death in the Andes", "Pantaleon and the Visitors", "The War of the End of the World", "The Demons of the Malicious Child", "The Dream of the Celt", "The Way to Paradise", and many others from this great and thoughtful author. 

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