Saudi entertainment: a soft but growing economic power

Strategic investments aim to stimulate the economy, attract tourists, and elevate culture and the arts in Saudi Arabia as part of the country’s Vision 2030 goals

Andy Potts

Saudi entertainment: a soft but growing economic power

Just a few years ago, the entertainment industry in Saudi Arabia was little more than a footnote. Most cities lacked cinemas and recreational centres, while local film production, music recording, and video shoots were sparse. When it came to any Saudi cultural presence, most pointed to a handful of festivals, notably the annual Janadriyah Festival. In May 2016, however, that began to change.

The General Entertainment Authority (GEA) was established to oversee all entertainment-related activities and public celebrations. Its mandate closely aligns with the goals of Vision 2030: improving the quality of life, diversifying sources of national income, and promoting cultural, artistic, and sporting events, as well as theatrical performances and concerts. A further key objective is positioning Saudi Arabia as an internationally attractive tourism destination.

Seasonal cultural and entertainment festivals have flourished in cities such as Riyadh, Jeddah, and those in the Eastern Province, accompanied by special events linked to Ramadan and national holidays. Today, Saudi entertainment is no longer seen as just a leisure pursuit; it is a strategic sector that is expected to contribute to GDP (gross domestic product) and generate employment for Saudi citizens.

Cinema’s rapid rise

Until 2018, Saudi Arabia had no cinemas. To watch a film on the big screen, Saudi nationals had to travel abroad. Today, the situation is dramatically different, with 66 cinemas and 618 screens spread across more than 20 cities. Cinemas have become an important source of revenue for local and regional filmmakers, especially Egyptian filmmakers.

Saudi cinema audiences are now the largest in the Arab world, and this domestic demand for films is attracting producers and directors from across the region. Film festivals—most notably the Red Sea International Film Festival (RSIFF)—offer Arab filmmakers a vital platform to showcase their work, win accolades, and engage with critics and cinephiles.

In recent years, technological advances have raised production and screening standards, enabling Saudi institutions to offer the latest Arab and international films to audiences shortly after their global release. Several film festivals have now become permanent fixtures in the state’s cultural calendar, including the RSIFF, the Saudi Film Forum, and the Saudi Film Festival.

Andy Potts

Elevating film production

In early 2025, domestic film revenues surpassed $27mn. These productions often address key societal themes, particularly those affecting young people and women, reflecting the sweeping social and political changes underway across the country.

While local productions have seen remarkable success, Saudi cinemas also screen a wide range of international films. From the opening of the first cinema in 2018 to the end of 2023, box office revenues totalled around $800mn. In just the first five months of 2025, cinemas generated around $85mn.

As part of its broader strategy to develop the film sector, Saudi Arabia plans to construct 350 new cinemas by 2030. Vision 2030 further underscores the importance of enhancing film production through partnerships with international studios to create world-class content that appeals to local and global audiences.

To reinforce its position as a premier destination for film production, the government has opened its landscapes to filmmakers, offering incentives and logistical support. These initiatives aim to give Saudi Arabia a competitive advantage over countries with more firmly established film industries. The diverse and visually striking natural scenery often entices filmmakers seeking dramatic backdrops.

By integrating diverse cultural and recreational experiences, Saudi Arabia aims to establish itself as a top destination

Overcoming cultural barriers

According to official data from 2022, there were 20,655 people employed in Saudi Arabia's arts and entertainment sector, of whom 5,165 were Saudi nationals. Strikingly, Saudi women accounted for a large share of the workforce (6,075, compared to 2,041 non-Saudi women). This reflects a societal shift and the gradual dismantling of cultural barriers that once limited women's participation in creative and artistic fields.

In recent years, Saudi television dramas have undergone a remarkable evolution, growing artistically sophisticated and addressing complex social and political themes such as women's empowerment, education, security, and religious extremism, while tracing Saudi Arabia's journey since the dawn of the oil era. These series are popular across the Gulf and the broader Arab world.

Turki Al-Sheikh, who chairs the GEA, recently unveiled the next phase of development in Saudi cinema and television, announcing a collaboration with Riyadh Season to support production through BIG Time Studios and the BIG Time Film Fund—initiatives designed to empower the domestic entertainment industry and position it for global competitiveness.

Entertainment and tourism

Saudi Arabia's entertainment strategy is tied to its tourism ambitions; by integrating diverse cultural and recreational experiences, it aims to establish itself as a top destination, with festivals, events, and seasonal celebrations all helping to attract visitors, not least from neighbouring Gulf states.

Bloomberg
A pedestrian passes an advertisement for the Saudi tourist board on Sheikh Zayed Road in Dubai.

Vision 2030 initially targeted 100 million annual domestic and international tourists, but encouraged by the sharp rise in entertainment activity and tourist arrivals, the government has since raised the country's goal to 150 million annual visitors by 2030. Meeting this goal means growing the entertainment sector, increasing citizen engagement, establishing specialised arts and media institutes, and adopting successful global practices.

To help achieve these objectives, the Saudi government has allocated $71.2bn to the entertainment sector, focusing on infrastructure and flagship initiatives. Among the most prominent is the Qiddiya Project near Riyadh—an integrated entertainment and sports hub set to become one of the region's largest attractions. Beyond such mega-projects, the investment also funds cultural events nationwide.

The GEA has strengthened regulatory and organisational frameworks, enabling private initiatives to access these funds and channel them into projects that advance national development. A central economic challenge for the sector lies in increasing its contribution to Saudi GDP in the coming years while expanding opportunities for Saudi citizens in the creative industries.

A Vision 2030 goal is for entertainment (and related activities) to account for 4.2% of GDP. Saudis currently spend more than $197bn annually on outbound tourism. A vibrant domestic entertainment industry could redirect a big share of that spending into the national economy—stimulating local consumption and supporting sustainable growth.

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