“What is a Woman?": Exploring gender identification in the modern age

The documentary “What is a Woman?” garnered some 170 million views within a few hours of streaming, stirring a heated debate that had been years in the making.

“What is a Woman?": Exploring gender identification in the modern age

As globalisation continues to drive the unprecedented overlap of cultures, global disputes on ideologies have become a staple of the modernist and post-modernist scene.

Several shifts have been affecting the human essence, questioning and redefining themes that had long been taken for granted and destabilising the global social order in the process.

One of these subjects is the transgender issue, which carries a host of repercussions on societies around the world. The topic has been stirring endless debates in most if not all globalised communities.

Tricky question

Some seemingly naïve questions can sometimes ignite an endless debate. This is exactly why in this documentary, American political commentator Matt Walsh asked people in the streets, psychiatrists, social experts, and even members of the African indigenous Maasai tribe a simple question: “What is a woman?”

Naïve and superficial as such a question may seem, it unleashed an endless flow of discussions on other related issues.

Walsh’s tricky question was a prompt for interviewees, including transgender people and witnesses of gender transformation surgeries, to tell their stories.

The 95-minute documentary film sheds light on several crucial issues, including the modern gender narrative and the prevalence of the gender transformation concept among children and youth, driven by the endorsement of this concept by today’s globalised politics. In these conversations, Matt Walsh provides a deconstructed view of the path taken by the modern human.

To address that key question, the film explores the whirlwind of questions that emerge when attempting to define women. Are women birth machines, objects of sexual pleasure, tools exploited by globalisation for its interests and commercial purposes, or mothers?

No interviewee could give a specific definition of a woman, and that’s because there is none: there is simply an essence to women as human beings.

Is biology irrelevant?

Through his questions, Walsh manages to bring chaos to order by inquiring about identity and biology. Could transgender women be considered real women? Is biology irrelevant?

Walsh’s opening scene is a birthday party for a pair of boy and girl twins. The gifts presented to the boy were a football and a gun, whereas his sister received a tea set and a colourful tiara.

While both were having fun playing with their new games, Walsh wonders what the difference is between a boy and a girl. He offers the answer himself: how he makes his son happy differs from how he makes his daughter happy.

Walsh says people who say that there are no differences between boys and girls are “idiots”, adding: “I like to make sense of things, but making sense of females is a whole other matter.”

Walsh then asks a transgender woman he meets on the street to define women. Scrambling for an answer, his interviewee says she knows she’s a woman, but does not have an answer to his question.

Throughout the film, Walsh interviews several psychiatrists and gender transformation physicians on the identity of women and humans. Their replies seem to be distorted and incohesive when attempting to define gender and sex. No one offers a conclusive truth.

Yet, the interviews revealed that the majority of people who undergo gender transformation surgeries become suicidal within a few years due to the resulting physiological problems.

Among other things, Walsh’s documentary reveals that 67% of transition surgeries for children have highly dangerous effects, questioning the scandalously huge profits made by US health institutions out of such operations, such as doctors’ wages and drug costs.

Personal stories

Walsh used his key question “What is a Woman?” as a prelude to asking follow-up questions about transgender issues and giving his interviewees a space to relay their own personal stories.

In the process, the documentary reveals a disastrous growing tendency to encourage children to go through gender transformation, facilitate their access to hormonal therapy, and approve sex reassignment surgeries when children are not yet mature enough to make such a crucial life-changing decision.

Walsh hints at the inaccuracy and corruptness of some scientific research results regarding gender transformation, revealing that some fabricated data are purposefully overstated to normalise the concept in human societies and in the minds of children.

Walsh hints at the inaccuracy and corruptness of some scientific research results regarding gender transformation, revealing that some fabricated data are purposefully overstated to normalise the concept in human societies and in the minds of children.

Gender transformation surgeries for children

Among the interviewees is Scott Newgent, a transgender man who dismisses children's gender transformation surgeries as they are performed when the child is still underage and require complicated medical operations that could cause serious health issues. Newgent wonders who is responsible for all that chaos.

The dialogues reveal the extent of injustice those children suffer due to gender transformation surgeries that deform their bodies and souls, such as genital and breast removal surgeries prompted by psychological urges among some teenagers.  

Clinical psychologist Jordan Peterson tells Walsh: "There is no such thing as a gender-affirming therapist". "It is not your business to affirm the patient's feelings and sexuality," he says. "That is a rubber stamp".

Peterson goes on to say: "Biological sex is binary, and it's been binary for a hundred million years." He notes that "gender is not a good word, because it's vague and it isn't measurable," adding that "people who talk about the diversity in gender are actually talking about diversity in personality and temperament".

Peterson then notes: "You can have a masculine temperament if you're a woman… and you can have feminine men, temperamentally," pointing out that this is not a justification to "carve them up".

Clinical psychologist Jordan Peterson notes: "You can have a masculine temperament if you're a woman… and you can have feminine men, temperamentally," pointing out that this is not a justification to "carve them up".

The Maasai tribe in Africa

Walsh visits the native Maasai tribe in Africa and interviews some of the tribe's men on the issue. His question on whether a man could be transformed into a woman and vice versa is met with sarcastic laughter. The tribesmen say if such a thing were to take place, there would be a major problem.

Walsh's conversation with the Maasai reveals his objective behind the documentary: to show how humans remain attached to their pure human nature and gender identity, which some physicians are attempting to manipulate by indoctrinating children.

In that respect, the film exposes the political brainwashing affecting women and children through illogical diagnoses by profit-driven physicians, distorting their self-image and self-esteem.

Through his interviews with transgender people who went through many hardships due to their transition, Walsh subtly raises crucial questions on the ethical condition of the world and its fate after the prevalence of the gender transformation concept.

Many of those interviewees discuss the cruelty they faced from their physicians and the surgeries' failure to achieve the aspired result.

Many of the interviews also highlight the conventional religious stance, which prohibits and frowns upon gender transformation as it goes against human nature.

Intentionally ignored?

Surprisingly, "What is a Woman?" is only available on one platform, The Daily Wire. Other Internet platforms seem to turn a blind eye, probably driven by political motivations. Such a film would deconstruct the growing pro-transgender global narrative.

The Daily Wire promoted the documentary with an enticing description, calling it "the documentary they don't want you to see."

Directed by Justin Folk, starring Matt Walsh and Jordan Peterson, and produced by The Daily Wire, the documentary garnered a staggering 170 million views immediately after it was posted on Twitter.

The film even drew the attention of Twitter's owner, US-Canadian businessman Elon Musk, who posted a tweet encouraging parents to watch it.

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