Honouring a militia leader with a poem, novel, or even a short story, is sure to get you invaluable rewards in some Arab literary circles.
The financial gifts will be generous, of course, but your reward package will also include the militia chief himself personally honouring you and shaking your hands in front of the cameras!
This is the only form of glory that some Arab literary figures seek nowadays. It comes after they have jumped in the laps of the militia groups now in control of the streets and neighbourhoods of many an Arab city.
Those writers and poets seem to have forgotten the wider patriotic hopes of their forerunners, artists who had foolishly dared believe that our Arab literary scene had finally freed itself of the shackles of this particular tradition.
There were hopes, then, that poets and writers could do more than venerate only their own tribe, or to declare its supremacy over others. This was a time to celebrate unity: one homeland, one language, one religion, and one leader.
Evidently, they were wrong. The quest for one leader ended up leaving heavy legacy. What actually came about was national fragmentation, sectarianism and regionalism.
We see this in Iraq, Lebanon, Syria, Yemen, Libya, and Sudan. Chants in support of the ‘bigger Arab nation’ have been replaced with chants for the tribe, region, or sect.
All of these extremist ideologies cannot be maintained without armed militias that control every last aspect of life, including literature and art.