Built a century ago by Ala's grandparents, her 97-year-old uncle Aziz still lives on the third floor of this grand sea-facing property that developers would love. Instead, it is now a public space.
At the Tate Modern in London, Al Majalla comes across a series of Bantu masks shot by Angolan photographer Edson Chagas. The people who wear them are otherwise dressed in completely modern clothing.
Unemployment, poverty and a bleak outlook have recently led many Gazans to take their own life. These conditions are unsustainable and put the recent outbreak of war into context.
Now available in a new Arabic translation, Franz Kafka's 'Letters to Felice' spans over 800 pages, making it the most extensive composition in his literary repertoire.
Before the Nakba erased Palestinian cities, women were present in modern society, culture and politics. A new book proves this, refuting the false claim that Palestine is 'a land without a people'.
Al Majalla chatted to the German artist on the sidelines of her current exhibition in Naples, Italy, to discuss her wide-ranging inspirations, including Arabic calligraphy.
One of the most renowned Saudi and Arab poets speaks to Al Majalla about his upcoming television programme and the Kingdom's literary and cultural expansion.
'Oppenheimer', inching closer to $1bn at the global box office, has all the markings of Nolan's signature touch. We break down his distinct style, two decades in the making.
Al Majalla spoke to the Angolan author about his rich body of work, Annemarie Jacir's Palestinian film adaptation of his book 'A General Theory of Oblivion' and what he currently has in the works.
Netanyahu did not realise his goal of ending Iran's nuclear programme and regime change, and Iran stood alone in its war with Israel, as global and regional allies left it to fend for itself
For decades, Iran's supreme leader—first Khomeini, then Khamenei—pursued a strategy of backing regional militias to fight Israel, but with the 'resistance axis' in tatters, Iran is left to fight alone