Riyadh's Ramadan nights: spirituality, culture, and fun

The holy month comes to the Saudi capital, threading itself through its rhythms and leaving its mark.

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Riyadh's Ramadan nights: spirituality, culture, and fun

The heads of the wild pigeons bob and dip in their multi-coloured flock, passing the time pecking at scattered grains at the junction of Abd al-Rahman al-Ghafiqi Street and Ibn Shahin in eastern Riyadh while cats in doorways and annexes drink the water left out for them. Here, in the Saudi capital, both cats and birds are spared the fast. Around them, Ramadan is being observed in districts like Al-Quds, Al-Rawdah, and King Faisal, areas that skirt the central artery of Khalid bin al-Walid Street.

An Egyptian halawani (confectioner or sweet maker) closes his bakery to catch the midday prayer at the nearby King Abdulaziz Mosque. He is known for his basbousa, a traditional Middle Eastern syrup-soaked semolina cake. The mosque is full, drawing Saudis, Africans, Levantines, Maghrebis, Asians, and others. Beneath the trees, a gentle breeze. As the afternoon hours grow long, the calm loosens, until it finds its exuberant release after the night prayer, through tarawih (nightly prayers performed during Ramadan), and on towards dawn.

There is a record number of cars on Riyadh’s roads, bathed in the bright spill of light from building façades. Trains and buses move ceaselessly until 3am, thousands travelling for myriad reasons in a city that sleeps even less during Ramadan, the ninth month of the Muslim year. This year, Ramadan makes its 1446th return. In Riyadh, warmth courses through the 200 or so neighbourhoods. Some are historic, others new. Night-time wandering through its branching worlds within this tapestry of districts is a pleasure in the mild early spring, with its gentle grace.

Time to travel

A 23-year-old Yemeni man working at the main public transport terminal in the bustling Al-Aziziyah district says he welcomes arriving passengers with unfeigned pleasure. Two decades ago, his family sought refuge in Jazan, in the far south-west, where his father spent years serving as an imam and muezzin at a mosque, before the family eventually made their way to Riyadh. “My father is like a friend to me, and my role model,” he says. “I had to start working so he could finally rest.” With boundless energy, a warm smile, and an effortless gift for conversation, he appears wholly equal to the demands of one of the busiest land-transport hubs in the Middle East.

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Worshippers pray around the Kaaba, Islam's holiest shrine, at the Grand Mosque in the holy city of Mecca ahead of the annual Hajj pilgrimage.

From here, millions journey into the Saudi interior. Routes to Madinah and Makkah intensify in this month, as pilgrims travel for umrah, the reward for which is held equal to that of hajj. Alongside these are overland trips to Amman, Damascus, Dubai, Manama, and cities across Yemen. One-way tickets to most of these destinations cost no more than $50 and travellers may carry up to 50kg each. “When I meet travellers here, I ask them about travel, adventure, and experience,” says the young Yemeni man. “Travellers are those best able to fathom love. I dream of being a traveller one day.”

The story of love and faith sits close to the surface, woven into the history of the area, which first began to take shape in the 1960s around Lovers’ Street, as it was then known. In the 1980s, it became the Al-Qurra District, named for Qur’an reciters. From its many mosques and prayer halls emerged an early wave of muezzins who went on to serve across Riyadh and beyond.

A world unto itself

Mansour Al-Assaf is a Saudi researcher in social history whose studies and theories on the city’s districts are well known. He points to the area’s industrial activity since the 1950s, beginning with the Gypsum Factory Company, which even lent its name to parts of the district. As social life flourished, it drew many pupils to Hatim Al-Ta’i Primary School in the late 1970s. It also became home to well-known media figures, including the late broadcaster Mohammed Al-Rashid.

Workers of various Arab nationalities stream into the Nakhat Al-Furooj restaurant, drawn by the $4 shawarma and by the yellow rice crowned with boiled eggs, set down in a piled, communal heap. A few kilometres away, commerce is both disciplined and improvised in Al-Batha. One of Riyadh’s oldest neighbourhoods, it houses large expatriate labourer communities.

Fayez Nureldine / AFP
Foreign workers their fast during the Muslim fasting month of Ramadan at a park in Riyadh of 27 March 2023.

From fish sellers to menswear, from fruit and vegetables to counterfeit goods, Al-Batha roars, a clamorous world unto itself, one closely monitored by the security services who curb violations among the itinerant sellers. In the fabric quarter, a young Sudanese man stands in a shop specialising in Indian linen and cotton. He scrolls through videos he filmed from the plane during his most recent trip to Sudan and speaks with longing of the Nile’s beauty. “Nothing compares to its splendour when you see it from above, as the morning light begins.”

Lights and lobbies

In the north of the city, the atmosphere changes. A polished modernity spreads across the buildings. Company offices and hotels line the broad boulevards. Near the iconic Kingdom Tower, at the lively intersection of Al-Ulaya and Al-Urubah, a large, illuminated sign declares: ‘Ramadan Riyadh.’ There are thousands of lighting elements designed to “turn public spaces into places alive with human interaction”. Japanese tourists pass by, unhurried. Many visit the libraries, museums, and cultural venues lining the two streets, some of which stay open until 2am.

From fish sellers to menswear, from fruit and vegetables to counterfeit goods, Al-Batha roars, a clamorous world unto itself

In Al-Ulaya, hotels line both sides of the avenue. In lobbies, art books are laid out with care. One offers descriptions in three languages—including Chinese—of the Al-Badi'ah Palace Museum's paintings, carpets, manuscripts, Qur'ans, stamps, jewellery, furnishings, official gifts, government correspondence, ceremonial robes, and rare Islamic pieces.

It was assembled by the Saudi politician Ibrahim Al-Zubaidi, who acquired it at a public auction in the 1960s. Among its paintings are original works of Picasso, Monet, Michelangelo, Kalashnikov, Frans Hals, Van Gogh, and others. One Japanese tourist about a painting by the American Henry T. Carris, A Medieval Knight (1876) and another by the French artist Alfred Dehodencq, Arab Horsemen (1859).

Not far from the main street, where pedestrians glide by on bicycles or scooters rented through apps, stands the headquarters of the Saudi Music Centre, which has just released musical notations of Ramadan chants inspired by folk heritage as part of an ongoing initiative to archive and preserve Saudi music. The centre recently held a workshop on musical intellectual property rights, attracting scores of people.

Sport and literature

In Al-Ulaya's public spaces at night, in streets bearing names such as Izz al-Nisa, Shaddad ibn Aws, Al 'Arfaj, and Wadi al-Nir, sport fills the air. Fans watch fiercely competitive football matches in the 21st edition of the Riyadh Region Municipality Ramadan Cup, held across 17 sports grounds. The tournament aims to encourage young people to practise sport and strengthen social bonds among residents.

Outside rush hour, it takes nine minutes by car to travel from the Music Centre to the Research and Knowledge Communication Centre, on the boundary between the Al-Sahafa and Al-Rabi' districts. There, another Japanese visitor—speaking Arabic with striking fluency—holds up his book, The Arabs: A Japanese Viewpoint, offering it as a bridge of cultural exchange to an audience gathered to hear his lecture on a long journey through fiction, translation, and academic research. He is Arabist Professor Nobuaki Notohara, who has devoted his life to studying the Arabic language and literature after living in Arab countries for many years. He helped introduce Japanese readers to Arab books and to Bedouin life and its traditions.

In north-west Riyadh, flags flutter from poles fixed to cars gathered in a special procession for Founding Day, which fell in Ramadan this year. Crowds fill the streets of modern Diriyah, dressed in festive finery and smiling with pride, as the greeting hayyak Allah passes from one stranger to another. Around them are hundreds of cafés, restaurants, and shops built in a traditional architectural style. Within, all tastes are catered for, whether it is a cup of tea or a lavish dinner at a French restaurant.

"Three hundred years after the rise of the first Saudi state, we have always been here, to welcome everyone," says one of the young Saudis lining the walkways to greet visitors and distribute gifts. This year, that reception extended across 61 locations throughout the capital. The King Abdulaziz Centre for World Culture presented 30 Ramadan cultural experiences over three nights, from history and the arts to society and communal gathering. It included The Journey of Qur'an Manuscripts and the Takhlid event, an art exhibition documenting key moments in the first Saudi state.

AMER HILABI / AFP
A man visits the 2025 edition of the Islamic Arts Biennale in Jeddah on 25 January 2025.

Islamic Arts Biennale

Within Diriyah's arts district, the Diriyah Biennale Foundation drew on the spirit of the holy month to announce the third edition of the Islamic Arts Biennale. Scheduled for next year, it is to be held in the Western Hajj Terminal at King Abdulaziz International Airport in Jeddah, and will exhibit more than 500 artefacts from Islamic civilisation, assembled from 40 institutions in 20 countries.

The Biennale also serves as a platform for the Musalla Prize, an ambitious initiative which reimagines the future of prayer spaces as temporary, mobile structures designed to be dismantled and reassembled with ease, pressing beyond conventional limits of design and sustainable technologies.

"Islamic arts possess traditions and innovations that extend across vast geographies, offering countless possibilities for telling historical stories and forging new links of knowledge through artistic research," says Rakan Al-Touq, Assistant Minister of Culture and Vice-Chair of the Board of Trustees of the Diriyah Biennale Foundation. "Our aim is to renew narratives, reshape them, and rethink their concepts in a comprehensive and flexible way that reflects the nature of the arts in Islamic societies."

Cooking, too, finds a place within Diriyah's artistic concerns. Those who pay $27 can learn how to ferment foods, preserve lemons, make hot sauces from fresh peppers, and prepare seasonal vegetables, coconut yoghurt, and ginger drinks. Speaking of food, a hungry cat approaches the flock between Al-Quds and Al-Rawdah. The pigeons scatter, alert and wary. The cat will have to fast a little longer.

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