'But You Don't Look Arab': Hala Gorani's search for belonging

Born to Syrian parents in the United States, she grew up mainly in France and worked internationally

The US network news star often hears people express surprise over her heritage. Her new book weaves her personal journey with stories of the Middle East and the world of international journalism.
The US network news star often hears people express surprise over her heritage. Her new book weaves her personal journey with stories of the Middle East and the world of international journalism.

'But You Don't Look Arab': Hala Gorani's search for belonging

“But you don’t look Arab” is a sentence that internationally renowned Arab American journalist Hala Gorani has heard for decades.

Following her decision to step down from her global affairs show on CNN International's Hala Gorani Tonight, she has transformed her life story into a refreshingly frank and engaging memoir titled after that oft-repeated sentence.

What I found most striking about the book is what it implies about Arab representation in the international public domain— especially in the case of Arab women and the multiple barriers they face because of their ethnicity and gender.

The book is a series of vignettes weaving Gorani’s personal journey with stories of the Middle East and the world of international journalism. It is revealing on all three fronts.

Central to the book is Gorani’s quest for identity and belonging. Born to Syrian parents in the United States, she grew up mainly in France and worked internationally, including in the UK. Gorani’s search for a home is one of the drivers in her life.

There are many Arabs in countries outside the Arab world who feel fully integrated and do not struggle with issues of identity.

But many also do. In the book, Gorani says how much, as a little girl, she hated her relatives in Syria, referring to her as “Hala the American” whenever she was visiting them. She felt like an “other” in Syria, just as she did in the US and France.

Gorani's search for belonging likely resonates with many in the Arab diaspora who feel they don't fully belong— neither in their country of residence nor their country of origin.

Gorani initially suppressed her ethnicity to break into journalism in France. I

n looking for work there in her early career, she describes resorting to removing Arabic as a language skill from her résumé and attaching a photo—knowing that she does not look “Arab”—to hide her heritage and thus avoid being discriminated against.

She also changed her public surname from Ibrahim Basha to Gorani—her mother’s maiden name—because “Gorani” sounded more European.

The tactics worked, and her journalism career took off.

Different worlds within the West

One observation in Gorani’s book is that she does not present the West as a homogenous place. Instead, she points out the “world of difference" between the US and France. She said it took her years to eventually reconcile with her heritage.

In the book, she joyfully recalls her time presenting the show Inside the Middle East on CNN, for which she travelled to every Arab country to report on their rich social and cultural identities.

She reflects that she felt she had to use the stereotype about what an Arab looks like so she could defy Western prejudice.

But she also says how it was not just Westerners who told her that she doesn’t look Arab. Sometimes, it was Arabs themselves who made the same comment.

Gorani's search for belonging resonates with many in the Arab diaspora who feel they don't fully belong neither in their country of residence nor their country of origin.

Anyone familiar with Syria knows that the country has a significant proportion of fair-skinned, blonde and blue-eyed people like Gorani. Westerners making that comment about Gorani's appearance could be basing it on the stereotype that all Arabs are dark-skinned and conservative.

But what unites both the Westerners and the Arabs making the comment is the sense that Gorani represents a departure from their perceived norms. Here, the issue is greater than just physical appearance.

A voice for the voiceless

The perceived norm in this case is that Arab women's voices are absent in the international media domain. "You don't look Arab" also comes to mean "you are prominent in the international media domain, so you can't be Arab as Arabs, especially women, are not welcome there". And this perception is not accurate.

Gorani's achievements must not be understated. She is one of the highest-profile women of Arab descent to appear as a presenter on an international news channel in the US, and to this day, she still works for a major news network, NBC.

Her career skyrocketed due to her courageous on-the-ground coverage of the 2011 uprising in Egypt and later of the Syrian conflict, for which she deservedly won an Emmy award in 2012.

But she acknowledges that she is not alone. Women have, thankfully, been a feature of this landscape for decades, and several notable Arab women in the international Western media today are directors, executive editors, and reporters.

Personal insights for a new generation

One unique aspect of Gorani's book is introspection: It is not very common for an Arab woman in the international media to write a memoir so openly.

In her memoir, Gorani never claims that her journey represents the experiences of Arabs in the diaspora, neither in the international media nor at large.

She bravely zooms in on personal stories of defiance and success, but also ones that reveal her vulnerability in certain situations and ill-fated decisions. This illustrates her personal growth. She learns from them and moves on.

Gorani's achievements must not be understated. She is one of the highest-profile women of Arab descent to appear as a presenter on an international news channel in the US.

Humble approach

Her humility is powerful. Gorani does not pretend to be an Arab hero but hopes her book can inspire a new generation of journalists—especially Arab women—by sharing an honest account of her personal journey with them.

In this regard, the book's openness is commendable, as Arab women often have to be careful about revealing personal stories and experiences out of fear of criticism or backlash from society.

This treatment is not unique to Arab women, of course. Women generally find that their words, behaviour, and appearance face far greater scrutiny than men's.

I asked Gorani about this during her book launch event in London. She modestly replied in jest, "After the age of 50, you just stop caring". But it is clear that the decision to bravely bare her soul is about breaking more barriers.

This is in line with her professional conduct, for which she is well known. Gorani stresses the importance of assertiveness in her book.

Towards the end, she writes, "My approach to television interviews is to never waver and to never tell myself that the person in front of me is cleverer than I am, even if they are more knowledgeable. In my mind, I am never in a position of inferiority."

So perhaps the next challenge for Arab representation to overcome—especially for Arab women—is not just to be present prominently in the international public domain. It is also to actively recognise those who are or have been present and not fall into the trap of taking perceived absence as the norm.

It is to support those who are breaking the barriers of what an Arab and female voice can publicly say about their personal journey, where sharing one's humanity is not an indicator of weakness but instead a sign of empowerment.

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