When I was nine years old, my Arabic language teacher asked us who our role model was.
I didn’t know what to say. Unlike my classmates, I didn’t jump to name a religious figure or a historical hero. I sat back and listened to their answers while my mind drew a blank. Thankfully, I was saved by the bell.
At that point, playing football in the street wasn’t just a hobby for me; it was my entire world.
By the time I knew what a national football team was, FIFA had already boycotted Iraq due to the invasion of Kuwait and banned our boys from playing overseas starting September 1990. This meant that we couldn’t play in the 1992 AFC Asian Cup, the Summer Olympics, or the Pan-Arab Games.
It also meant that, for a time, as a child growing up in Iraq, I didn’t get to experience that sense of wonder and pride wash over me as I watched my country’s team kitted out in their uniforms, reciting our national anthem and going toe-to-toe with the world’s biggest teams.
The first time I saw our boys play was August 18th, 1992. Iraq was facing Ethiopia as part of the Jordanian International Tournament at the Irbid stadium – their first game since the FIFA boycott. We were one of eight teams competing in the 1994 World Cup qualifiers.
That night, I finally discovered who my role model was.
Iraq scored the highest-ever number of goals in its history, beating Ethiopia 13 to 0. Ahmed Radhi scored five of the goals (video footage of the match on YouTube even suggests that he scored six) – a record that no other Iraqi footballer has managed to break since.
Radhi shot the ball from every part of the penalty area: leaping over the goalkeeper, slide-tackling the ball with his right foot then striking it beautifully with his left.
He was a sight to behold.
Radhi scored a historical goal, one that Brazilian football legend Rivaldo would go on to replicate against Turkey in the 2002 World Cup, a whole decade later. It was truly a work of art; a mesmerising dance – it was as simple as a Picasso brushstroke and as complicated as a Mozart symphony.
Picture this: Radhi receiving a high chest ball, spinning around with the grace of a ballerino, nudging it just so with his right foot only to finish it off with his left – GOAL!
For his fifth and final act, he transformed into a tightrope performer. Radhi received the ball from a narrow position, outmanoeuvred the defender at his tail, and dodged the goalkeeper with the agility of a skilled circus veteran, only to score from a seemingly impossible angle.
Radhi didn’t settle for conventional. He wanted to be exceptional.